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                    <text>Clip from track 8, "I Would Do Anything For You," on the St. Louis Rivermen album, "Out of the Gate."</text>
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                    <text>Clip from track 11, "Downhearted Blues," on the St. Louis Rivermen album, "Out of the Gate."</text>
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                    <text>Clip from track 12, "Over in the Gloryland," from the St. Louis Rivermen album, "Out of the Gate."</text>
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                  <text>Jean Kittrell Digital Collection</text>
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              <text>[Back cover]&#13;
1. CAMPTOWN RACES (Stephen Foster, 1850) 3:31&#13;
2. LOVE ME WITH A FEELING (Sidney Bechet) 2:57&#13;
3. JUST A LITTLE WHILE TO STAY HERE (gospel hymn) 4:06&#13;
4. MY HANDY MAN AIN'T HANDY 4:00&#13;
5. LOUISIANA (J.C. Johnson, Andy Razar, Bob Schafer) 4:50&#13;
6. I CAN'T GET STARTED (Ira Gershwin, Vernon Duke, 1936) 3:48&#13;
7. EMPEROR NORTON'S HUNCH 3:38&#13;
8. I WOULD DO ANYTHING FOR YOU (Alex Hill, Bob Williams, Claude Hopkins, 1932) 4:13&#13;
9. SI TU VOIS MA MERE (Sidney Bechet) 3:27&#13;
10. SWEETHEARTS ON PARADE (Carmen Lombardo, Charles Newman, 1928) 3:47&#13;
11. DOWNHEARTED BLUES (Alberta Hunter, 1923) 4:44&#13;
12. OVER IN THE GLORYLAND (gospel hymn) 3:01&#13;
13. CAROLINA IN THE MORNING (Walter Donaldson, Gus Kahn, 1922) 3:17&#13;
14. I FOUND A NEW BABY (Jack Palmer, Spencer Williams, 1926) 3:48&#13;
Total Playing Time 54:00&#13;
For additional CDs, cassettes, or bookings please contact: &#13;
JEAN KITTRELL &#13;
Manufactured by: Music Masters, St. Louis, Missouri, USA MM-34929-2&#13;
[Inside jacket]&#13;
The cornet's opening Call to the Post on Stephen Foster's "Camptown Races" tells you the horses will soon be OUT OF THE GATE and the race on to make this third CD by JEAN KITTRELL &amp; THE ST. LOUIS RIVERMEN a winner.&#13;
Two new members in the band - Steve Lilley on cornet and Brett Stamps on trombone - tire up the five stalwart RIVERMEN of seventeen years together, giving a keen edge of excitement to hot numbers like "Emperor Norton's Hunch" and "I Would Do Anything for You." Steve also shines as a soloist on "I Can't Get Started."&#13;
Four arrangements by the drummer and valve/trombonist Don Schroeder hold an inside track with their imaginative harmonies and counterpoint: the title tune, which Don also sings</text>
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              <text> two Sidney Bechet ballads - "Love Me with a Feeling" featuring clarinetist Glenn Meyer and "Si Tu Vois Ma Mere" featuring sousaphonist David "Red" Lehr</text>
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              <text> and a banjo specialty for John Becker, "Nothing Could Be Finer Than to Be in Carolina in the Morning."&#13;
Two gospel hymns with galloping syncopations - "Over in the Gloryland" and "Just a Little While to Stay Here" - hold their own with the marching trot of "Sweethearts on Parade" and the smooth swinging gait of "Louisiana."&#13;
No RIVERMEN race would be complete without some realistic songs by Jean Kittrell to keep the runners on track - "My Handy Man Ain't Handy No More" and "Downhearted Blues."&#13;
There's a neck to neck finish with the clarinet and drums battling it out, and the rest of the band joining in on "I Found a New Baby."&#13;
The RIVERMEN and JEAN are betting that you'll enjoy this race. If you don't - oh, well, you didn't lose too much money, did you?&#13;
[Back of jacket]&#13;
Jean Kittrell, piano/vocals&#13;
John Becker, banjo&#13;
David "Red" Lehr, sousaphone&#13;
Steve Lilley, cornet&#13;
Glenn Meyer, clarinet&#13;
Don Schroeder, drums/valve trombone&#13;
Brett Stamps, trombone&#13;
Producer, Jean Kittrell&#13;
Engineer, Greg Trampe&#13;
Recorded at Music Masters, St. Louis, MO, May 14 and 15, 1999&#13;
Layout by Andrea Dinger at Music Masters</text>
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                <text>Jazz recording by Jean Kittrell and the St. Louis Rivermen for Music Masters. Personnel of the St. Louis Rivermen on this recording include Jean Kittrell on piano/vocals, John Becker on banjo, David "Red" Lehr on sousaphone, Steve Lilley on  cornet, Glenn Meyer on clarinet, Don Schroeder on drums/valve trombone, and Brett Stamps on trombone. A full track list is available in the liner notes and cover transcription.</text>
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                <text>5/14-15/1999</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>For digital rights and permissions, see &lt;a href="https://www.siue.edu/lovejoy-library/about/policies.shtml"&gt;https://www.siue.edu/lovejoy-library/about/policies.shtml&lt;/a&gt;</text>
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                <text>In copyright. &lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;http://rightsstatements.org/vocab/InC/1.0/&lt;/a&gt;</text>
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        <name>Brett Stamps</name>
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              <text>42 in. </text>
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              <text>Sequins, various fabrics, plastic</text>
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                <text>JMK_BLACK_DRESS</text>
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                <text>Self-Designed Black Fringe and Sequin Dress, Undated</text>
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                <text>This black fringe and sequin dress was one of many Jean designed for her performances, and was also one of her personal favorites. It is a mock wrap-around style, featuring her signature fringe on one side in black and black sequins on the other. The fringe side is sleeveless while the sequin side (the wearer's right) has a full long sleeve cuffed with a sparkling beaded cuff. The neckline, which wraps around and continues down to meet four silver jeweled buttons, is made of long silver glass beads with additional white gem trim, in total about an inch in width. The dress has a black metal zipper in the back and would fall to just past knee length. This is also the dress Jean wears in photo JMK_2017_7_8_0001, "Jean in Self-Designed Dress, 2002" also in the Jean Kittrell Digital Collection.</text>
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                <text>Kittrell, Jean</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>For digital rights and permissions, see &lt;a href="https://www.siue.edu/lovejoy-library/about/policies.shtml"&gt;https://www.siue.edu/lovejoy-library/about/policies.shtml&lt;/a&gt;</text>
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                <text>In copyright. &lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;http://rightsstatements.org/vocab/InC/1.0/&lt;/a&gt;</text>
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                <text>A large black piece of velveteen cloth covered with badges, buttons, and pins from Jean Kittrell's many jazz festival performances, as well as a few non-jazz related buttons. The buttons and badges are layered over each other, evidence of a collection that started small and grew over the years with Jean's career. In her photo elicitation interview, Jean notes that she kept this cloth, which she refers to as a scarf, draped on one side of her home piano, adding to it until she had no more room. In the photo, additional white material was used to lay out the festival badges and attached lanyards which would not fit.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>For digital rights and permissions, see &lt;a href="https://www.siue.edu/lovejoy-library/about/policies.shtml"&gt;https://www.siue.edu/lovejoy-library/about/policies.shtml&lt;/a&gt;</text>
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                <text>In copyright. &lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;http://rightsstatements.org/vocab/InC/1.0/&lt;/a&gt;</text>
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