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DRUMVOICINGS: THE MISSION OF BLACK POETRY
(overview-outline)
bY,_,,

~ugene · a. · ~edmond

This book is designed as a general and handy reference to augment
courses in Black Poetry/Literature and to complement related areas or '
study including American Literature, Black $tudies, African Literature,
Third World Literature, American Poetry, English Poetry, .Humanities,
Engl i sh Poe t ry, Music, History, etc. Additionally, it is prepared
with con:rrnuni ty-oriented p ersons in mind: Those desiring to devel op
writing or literature clubs, Black History study groups, poetry societies, theatrical companies, forensic and sp eech workshops, s pecial
symposia and seminaDs for community gatherings or to commemorate
an import Bnt event or person.

Outline
I.

Introduction(including problems, range, Black identity, n ee ds, etc.')

II.

cri tica.l introduction to Black Poet (including an ou tline
o
e c rono ogical developmen; ad scussion of tren ds , st r uc ture ,
major subject matter and meaning; a running account of t h e l ite rary/
social background of major periods; ann brief cri ti cal r ea c tion s to
major po ets of each period.)

III. The Dynamics of Black Poetry: Reeding and Riting

A. Detailed discussion of meani n g an0 f orm, with emphas is on r ea di ng
the poetry silently and aloudJi.e.,staging or dramatizing )
·
.,,.
B. Commentary/explication using a. representative selection of
poems(i.e., songs, sayings, oral epics, etc) to reinfo rce
theories and statements already advanced.

c.

Suggested exercises for school, home, church, cultural fe s ti vals
(including a list of recording artists and orators who s A works
can be looked a.tin conjunction with the literary poe t r y )

IV.

Appendix(including questions, topics, themes, approaches an d o rh er
suge;estions)

V.

Selected Bi bliography(includi ng a note on spec:i. fi c prob] er1!:' '1 cu1
by persons Jooking into Black Poetry and the F ,.., c k .c.xpe r i ence .

�NOTE: This h andbook is intended to establish some critical framework and
methodology for looking a~?flood of Black Poetry that resulted
from the new renaissance of the sixties and seventies. But the
over-ricting thesis is that the new poetry cannot be understood
unless it is seen against the long tradition of Black writing
Rnd culture in general. Of all the cultural components, poetry

is the most popular and the one most often used to convey the
diverse messages and emotions. And a handy guide to Black Poetry-in vi ew of the countless anthologies and single collections, and
high interest in the subject--is top priority among teachers, stud- .
ents, drama people and casual readers/lovers of poetry.

�DRUMVOICINGS: THB MISSION OF BLACK PO E'rRY

Tabl e of ~ontents
1.

I ntroduction

2. , Folk PoetQ:

a. Fo lk ~eculars(including chronological development)
b. ~pirituals(inoluding develo pment of religious music)

.,

Li te rary Poetra
1
a.. Early Back Poetry and the Plantation 'l radi tion
b. The Dunb a r Era
c . New Trends and Defiance
d . Bl a ck Po ets of the Harlem Henaissance
e . Black Poets of the Post-rlenaissanoe Periodtthrough WWI I &amp; Korea)
f. Cont emporary Black Poe t s nnd the Black Arts Movement(and beyond)
~xploring Bla ck Po e try: Fo~ and Meaning
a . The dynamics of r eRalng/reci ting Bla ck Poetry
b. Us e of Black Poe try in rlitual Drama

Appendix
a. Que s t i 0ns
h. To pics
c. Themes
d. Appro a ches
e. Suggestions

6.

Sel ected Bi blio e;raphy
,
a. Bibl iography
b. Not e s on ·s p ecific problems faced by thos e loo kin g
i n t o Black Poetry or the Black .l!;xpe ri ence

I
I
I
I

I
I

I
I

I
I

I

I

I

I

I

.

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